Sunday, December 25, 2011

House Blessings - Bless Yours NOW!

!±8± House Blessings - Bless Yours NOW!

It's time to kick the enemy out of our homes and our of our family's lives. My wife and I recently bought an 85 year old Victorian home in Stephenville, Texas. We call it Vanderbilt Place and we run it as a rooming house. On New Year's Eve 2005, along with some friends, we prayed a blessing over the house. It made such a huge difference insofar as not only keeping the place occupied but also in the quality of renter we attracted from that day onward.

Later, after sharing this experience with a friend, a local business woman asked if we would pray with her over her business. Once we prayed, not only did productivity soar, but the strong ungodly element decreased dramatically, starting with the manager's resignation several months later.

In this message, I did not want to get too ritualistic, thereby possibly inviting some other religious devil. Consider this a model; feel free to customize it for your needs. So, I'm keeping it simple and duplicatable so that others might be able to bless THEIR home...people like YOU! Don't wait for Sunday to do something spiritual...we are the Church, NOT the buildings! Don't wait for a minister either...you ARE one according to Scripture.

In America today, we tend to scream at societal issues and throw money at our problems. We do a great deal of finger pointing, too. What I'm proposing is that, house by house, American Christians must take back what the enemy has stolen from us. Starting TODAY! As they say, if you want something you've never had, you've got to do something you've never done.

Single parents, grandfathers, college students alone in your dorm, apartment dwellers AND apartment managers or property owners - if you are a Christian, you have the authority to take dominion over your dwelling place. Don't delay. Gather some friends and a bottle of virgin olive oil from the kitchen and start praying and anointing as the Spirit leads...first your place, then THEIRS! There's power in agreement so, regardless of their denomination, go for it! If you like, have communion afterward or sing some hymns. Here's what we're doing. Do likewise and be blessed!

1) TAKE AUTHORITY OVER SPIRITS THAT HAVE BEEN WELCOMED THROUGHOUT THE HOME'S HISTORY - LEAVE DOORS OPEN FOR THEIR ESCAPE. The Bible declares, "Submit yourself to God, resist the devil and he will flee." Here's a prayer you can begin with:

In the Name of Jesus our Messiah,and by the power of His Blood and His Cross, and the Holy Spirit that raised Him from the dead and now dwells within us, we bind all spirits in the air, and the fire and the water, in the ground and the underground and the nether world,and we bind any satanic forces of nature that have been assigned to this dwelling place. You will steal from us no longer! In fact, you will repay us sevenfold, according to Eph 4;28. "When the thief is caught he must repay seven fold". That includes sevenfold time, energy, money, health and anything else stolen from God's children.

We break all generational and word curses, hexes, or spells, or any witchcraft or occult activity that have been invited into this house - on purpose or by accident - throughout the generations past.

We bind the interaction and interplay of demonic spirits within these walls. And we claim the protection of the shed Blood of Jesus Christ over this house and grounds, and over every person who ever spend so much as a few moments upon this property. May they receive God's blessing!

We call out to you, Holy Spirit. Come now and fill this place, never to leave! We pray this in the name of the Father and of the Son and of the Holy Spirit. Amen.

Here are a few Opening Scriptures you may choose to start with:
"Grace and peace to you from God our Father and the Lord Jesus Christ." (Romans 1:7)

"Jesus said, "Here I am! I stand at the door and knock. If anyone hears my voice and opens the door, I will go in..." (Revelation 3:20)

2) PRAYER OF BLESSING WHILE ANOINTING WITH OIL

Most loving God, we thank you that through faith in your Son Jesus Christ, you make us all members of your eternal family. We give thanks for all the love that you send to draw our earthly families together, to heal us, and to heal those who have gone before us. Fill this house with your divine presence, we pray. Pour out your love to deepen the fellowship shared here. Let your wisdom guide us, your trust free us, and your peace bless us, through Jesus Christ our Lord. Amen.

We dedicate this home to love and understanding. May its joys and sorrows be shared and the individuality of each person who lives and visits here appreciated.

We dedicate this home to work, and rest and play. May our home have joy and high fellowship, with kindness in its voices and laughter running within its walls.

We dedicate this home to friendly life. May its doors open in hospitality and its windows look out with kindness toward other homes and those who pass by its doors.

We dedicate this home to cooperation. May its duties be performed in love, its furnishings bear witness that the work of others ministers to our comfort, and its table remind us that God works with us for the supply of daily needs.

We dedicate this home to the appreciation of all things good and true. May the books bring wisdom, the pictures symbolize things beautiful, and the music bring joy and inspiration.

We dedicate the time and talent of those who live here to help build a world in which every family may have a home of comfort and fellowship.

We dedicate this home as a unit in the Church universal, an instrument of the Kingdom of God, a place of worship and Christian training and a threshold to the life eternal.

With our hearts turned toward you, so our thoughts rise in gratitude to God for this home, and in prayer for God's blessings upon it.

Following are s few Scriptures and Reflections about Homes and God's Care:

1. The Bible teaches us that a home is far more than a physical building.

Proverbs 24:3-4

By wisdom a house is built,
and by understanding it is established;
by knowledge the rooms are filled with all precious and pleasant riches.

2. We need God's presence, power and direction for our lives and homes to be fruitful.

Psalms 127:1

Unless the LORD builds the house,
those who build it labor in vain.
Unless the LORD watches over the city,
the watchman stays awake in vain.

3. The Bible indicates that it is important to dedicate our homes to God. Before going into battle, the men in the Bible were warned to dedicate their homes!

Deuteronomy 20:5

Then the officers shall speak to the people, saying, 'What man is there that has built a new house and has not dedicated it? Let him go back to his house, lest he die in the battle and another man dedicate it.'

4. God told his people to write his word on the doorposts of their homes.

Many Jewish people today place a portion of God's Word on a parchment scroll in a container on the doorposts of their homes. They touch the scroll every time they go in or out to remind them that their homes belong to God, and what happens there is to be directed by God's Word.

Deuteronomy 6:6-9

And these words which I command you this day shall be upon your hearts and you shall teach them diligently to your children, and shall talk of them when you sit in your house, and when you walk by the way, and when you lie down, and when you rise. And you shall bind them as a sign upon your hand, and they shall be as frontlets between your eyes.

And you shall write them on the doorposts of your house and on your gates.

5. When a person dedicates their house to God, we trust that God responds to their commitment. When Solomon dedicated the temple, God responded, speaking to him.

2 Chronicles 7:15

Now my eyes will be open [says the Lord] and my ears attentive to the prayer that is made in this place.
For now I have chosen and consecrated this house that my name may be there for ever; my eyes and my heart will be there for all time.

6. When people in the Early Christian movement gathered to teach and preach about Jesus, and to pray in the power of the Spirit, they often met in homes. Even today, there is a growing movement throughout the Western world - something our third world brethren have been doing for decades - meeting in homes or anywhere the Spirit leads them to.

Acts 5:42

And every day in the temple and at home they did not cease teaching and preaching Jesus as the Christ.

Acts 28:30,31

[Paul] stayed two full years in his own rented quarters, and was welcoming all who came to him, preaching the Kingdom of God, and teaching concerning the Lord Jesus Christ...

7. Jesus can use our homes to minister to us and with us if we will welcome him.

Revelation 3:20

Behold, I stand at the door and knock; if any one hears my voice and opens the door, I will come in to him and eat with him, and he with me.

8. In his teachings, Jesus presented home life as a model of what it means to live a life in God's presence and love.

John 14:1-3

"Let not your hearts be troubled; believe in God, believe also in me. In my Father's house are many rooms;
if it were not so, would I have told you that I go to prepare a place for you? And when I go and prepare a place for you, I will come again and will take you to myself, that where I am you may be also.

9. The Psalmist saw God's care in a similar way.

Psalms 91:1-2

He who dwells in the shelter of the Most High, who abides in the shadow of the Almighty, will say to the LORD, "My refuge and my fortress;my God, in whom I trust."

10. How will we use the homes God has loaned to us? Dedicating our homes to God is not a one-time act. It is an ongoing ministry!

Hebrews 13:2

Do not neglect to show hospitality to strangers,for thereby some have entertained angels unawares.

11. We are accountable to God for the use of our homes and our hospitality. God honors those who consecrate the use of their homes to bless others in need.

Matthew 25:31-46

"When the Son of man comes in his glory, and all the angels with him, then he will sit on his glorious throne.
Before him will be gathered all the nations, and he will separate them one from another as a shepherd separates the sheep from the goats... Then the King will say to those at his right hand, 'Come, O blessed of my Father, inherit the kingdom prepared for you from the foundation of the world; for I was ...a stranger and you welcomed me...'
Then the righteous will answer him, 'Lord, when did we see thee...a stranger and welcome thee...? And the King will answer them, 'Truly, I say to you, as you did it to one of the least of these my brethren, you did it to me.

Final Prayer of Blessing:

Almighty God,we thank you for the desires of our hearts for this home and all who enter its doors,that all we have and do here may be in accord with your divine plans,that this home and its residents may be truly and completely dedicated to you, and to serving your kingdom.

We ask you to strengthen them in this commitment. We pray to you, O God, for this home, its occupants and possessions,that you may bless and sanctify them, enriching them by your kindness in every way possible. Pour out on them, O Lord, heavenly dew in good measure, as well as an abundance of earthly needs.

Mercifully listen to their prayers, and grant that their needs be fulfilled.
As we come before you, Father, bless this home & every aspect of it,
cleansing any misdeeds of the past, and leaving it pure, fresh and holy.
Bless this house, just as you blessed the homes of Abraham and Sarah, of Isaac and
Rebecca, of Jacob and Rachel.
Within these walls, let your angels preside and stand watch over those who live and
spend time here, through Jesus Christ our Lord.


House Blessings - Bless Yours NOW!

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Tuesday, December 20, 2011

Elvis: The '68 Comeback Special (Three-Disc Deluxe Edition)

!±8±Elvis: The '68 Comeback Special (Three-Disc Deluxe Edition)

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Post Date : Dec 20, 2011 05:39:23
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1. Trouble/Guitar Man - SHOW OPENER; Trouble\ Guitar Man (Original December 3, 1968 Broadcast (Adapted)) 2. Lawdy Miss Clawdy (Original December 3, 1968 Broadcast (Adapted)) 3. Baby, What You Want Me To Do (Original December 3, 1968 Broadcast (Adapted)) 4. Heartbreak Hotel/Hound Dog/All Shook Up; Heartbreak Hotel\ Hound Dog\ All Shook Up (Original December 3, 1968 Broadcast (Adapted)) 5. Can't Help Falling In Love (Original December 3, 1968 Broadcast (Adapted)) 6. Jailhouse Rock (Original December 3, 1968 Broadcast (Adapted)) 7. Can I borrow your little whatchacallit?/This leather suit's hot (Original December 3, 1968 Broadcast (Adapted)) 8. Love Me Tender (Original December 3, 1968 Broadcast (Adapted)) 9. Are You Lonesome Tonight? (Original December 3, 1968 Broadcast (Adapted)) 10. Rock & roll music is . . . (Original December 3, 1968 Broadcast (Adapted)) 11. Gospel Production Number; Sometimes I Feel Like A Motherless Child\ Where Could I Go But To The Lord\ Up Above My Head\ Saved (Original December 3, 1968 Broadcast (Adapted)) 12. Baby, What You Want Me To Do (Original December 3, 1968 Broadcast (Adapted)) 13. Blue Christmas (Original December 3, 1968 Broadcast (Adapted)) 14. Man, I just work here./No strap. (Original December 3, 1968 Broadcast (Adapted)) 15. One Night (Original December 3, 1968 Broadcast (Adapted)) 16. Memories (Original December 3, 1968 Broadcast (Adapted)) 17. Guitar Man Production Number; Nothingville\ Guitar Man\ Let Yourself Go\ Guitar Man\ Big Boss Man\ It Hurts Me\ Guitar Man\ Little Egypt\ Trouble\ Guitar Man (Original December 3, 1968 Broadcast (Adapted)) 18. If I Can Dream - Show Closer. (Original December 3, 1968 Broadcast (Adapted)) 19. Credits Roll (Original December 3, 1968 Broadcast (Adapted)) 20. Elvis takes the stage. (Black Leather Sit-Down Show #1) 21. Elvis introduces band-mates. (Black Leather Sit-Down Show #1) 22. That's All Right (Black Leather Sit-Down Show #1) 23. Heartbreak Hotel (Black Leather Sit-Down Show #1) 24. Love Me (Black Leather Sit-Down Show #1) 25. Swapping axes./Are we on television? (Black Leather Sit-Down Show #1) 26. Baby, What You Want Me To Do (Black Leather Sit-Down Show #1) 27. Touching body with hands./Rock & roll music is . . . (Black Leather Sit-Down Show #1) 28. Blue Suede Shoes (Black Leather Sit-Down Show #1) 29. Baby, What You Want Me To Do (Black Leather Sit-Down Show #1) 30. Something wrong with my lip./He's gotta be crazy. (Black Leather Sit-Down Show #1) 31. Lawdy Miss Clawdy (Black Leather Sit-Down Show #1) 32. Are You Lonesome Tonight? (Black Leather Sit-Down Show #1) 33. When My Blue Moon Turns To Gold Again (Black Leather Sit-Down Show #1) 34. Blue Christmas (Black Leather Sit-Down Show #1) 35. Trying To Get To You (Black Leather Sit-Down Show #1) 36. One Night - Somebody pulled the plug, man. (Black Leather Sit-Down Show #1) 37. Baby, What You Want Me To Do (Black Leather Sit-Down Show #1) 38. Man, I just work here./No strap. (Black Leather Sit-Down Show #1) 39. One Night (Black Leather Sit-Down Show #1) 40. Memories (Black Leather Sit-Down Show #1) 41. Audience warm-up./Mr. Elvis Presley. (Black Leather Sit-Down Show #2) 42. Elvis talks. (Black Leather Sit-Down Show #2) 43. Heartbreak Hotel (Black Leather Sit-Down Show #2) 44. Baby, What You Want Me To Do (Black Leather Sit-Down Show #2) 45. Elvis refers to script./Introduces band-mates. (Black Leather Sit-Down Show #2) 46. That's All Right (Black Leather Sit-Down Show #2) 47. Are You Lonesome Tonight? (Black Leather Sit-Down Show #2) 48. Baby, What You Want Me To Do (Black Leather Sit-Down Show #2) 49. Can't even touch myself./You gonna get arrested, boy. (Black Leather Sit-Down Show #2) 50. Blue Suede Shoes (Black Leather Sit-Down Show #2) 51. We don't have a strap?/Lines from MacArthur Park. (Black Leather Sit-Down Show #2) 52. One Night (Black Leather Sit-Down Show #2) 53. Love Me (Black Leather Sit-Down Show #2) 54. Hanky flies about./The new music./My style came from . . . (Black Leather Sit-Down Show #2) 55. Trying To Get To You (Black Leather Sit-Down Show #2) 56. Lawdy Miss Clawdy (Black Leather Sit-Down Show #2) 57. Girl saves Elvis tissue lint./Never ceases to amaze me, baby. (Black Leather Sit-Down Show #2) 58. Santa Claus Is Back In Town (Black Leather Sit-Down Show #2) 59. Blue Christmas (Black Leather Sit-Down Show #2) 60. Tiger Man (Black Leather Sit-Down Show #2) 61. Another tissue girl./MacArthur Park lines. (Black Leather Sit-Down Show #2) 62. When My Blue Moon Turns To Gold Again (Black Leather Sit-Down Show #2) 63. Memories (Black Leather Sit-Down Show #2) 64. Credits Roll (Black Leather Sit-Down Show #2) 65. Audience warm-up./Here's Elvis Presley. (Black Leather Stand-Up Show #1) 66. Medley: Heartbreak Hotel/One Night - Sound Goes Out.; Heartbreak Hotel\ One Night - Sound Goes Out (Black Leather Stand-Up Show #1) 67. Medley: Heartbreak Hotel/Hound Dog/All Shook Up; Heartbreak Hotel\ Hound Dog\ All Shook Up (Black Leather Stand-Up Show #1) 68. Can't Help Falling In Love (Black Leather Stand-Up Show #1) 69. Jailhouse Rock (Black Leather Stand-Up Show #1) 70. Don't Be Cruel (Black Leather Stand-Up Show #2) 71. Blue Suede Shoes (Black Leather Stand-Up Show #1) 72. Love Me Tender (Black Leather Stand-Up Show #1) 73. Anybody got a handkerchief? (Black Leather Stand-Up Show #1) 74. Trouble (Black Leather Stand-Up Show #1) 75. Baby, What You Want Me To Do - Impromptu Jam. (Black Leather Stand-Up Show #1) 76. If I Can Dream - Lip-Synch Performance. (Black Leather Stand-Up Show #1) 77. Audience warm-up./And it stars Elvis Presley./Heartbreak Hotel - False start.; Audience warm-up./And it stars Elvis Presley.\ Heartbreak Hotel - False Start. (Black Leather Stand-Up Show #2) 78. Medley: Heartbreak Hotel/Hound Dog/All Shook Up; Heartbreak Hotel\ Hound Dog\ All Shook Up (Black Leather Stand-Up Show #2) 79. Can't Help Falling In Love (Black Leather Stand-Up Show #2) 80. Jailhouse Rock (Black Leather Stand-Up Show #2) 81. Don't Be Cruel - Moby Dick! (Black Leather Stand-Up Show #2) 82. Blue Suede Shoes - False start. One more time, gently. (Black Leather Stand-Up Show #2) 83. Blue Suede Shoes (Black Leather Stand-Up Show #2) 84. Can I borrow your little whatchacallit?/This leather suit's hot. (Black Leather Stand-Up Show #2) 85. Love Me Tender (Black Leather Stand-Up Show #2) 86. Preparation./Who's that strange man out there, Elvis? (Black Leather Stand-Up Show #2) 87. Trouble - Should I be on the microphone here? (Black Leather Stand-Up Show #2) 88. Trouble - I got my lip hung on the microphone. (Black Leather Stand-Up Show #2) 89. Trouble/Guitar Man; Trouble\ Guitar Man (Black Leather Stand-Up Show #2) 90. Lines from MacArthur Park and Tiptoe Through The Tulips (Black Leather Stand-Up Show #2) 91. Trouble/Guitar Man; Trouble\ Guitar Man (Black Leather Stand-Up Show #2) 92. If I Can Dream - Lip-Synch Performance. (Black Leather Stand-Up Show #2) 93. Trouble/Guitar Man (920 Incomplete Take. Slings chord at end.) 94. Trouble/Guitar Man (921 Incomplete Take. Ran outta breath.) 95. Trouble/Guitar Man (922 Incomplete take. You watch my clacker.) 96. Trouble/Guitar Man (923 Incomplete Take) 97. Trouble/Guitar Man (924 Incomplete Take) 98. Trouble/Guitar Man; Trouble\ Guitar Man (925 Completed take.) 99. Trouble/Guitar Man; Trouble\ Guitar Man (926 Guitar inserts. Close-up shots of hands and guitar.) 100. Trouble/Guitar Man; Trouble\ Guitar Man (927 Stills. Performance insert shots.) 101. If I Can Dream (915 False start.) 102. If I Can Dream (916 Completed take.) 103. If I Can Dream (917 Completed take.) 104. If I Can Dream (918 Completed take. Chosen for the TV special.) 105. Huh-Huh-Huh Promo (Black Leather Sit-Down Show #2) 106. Elvis Closing Credits Without Credits Roll (Black Leather Sit-Down Show #2) 107. If I Can Dream - Special Music Video 2004 108. DVD Credits Roll (A Little Less Conversation) 109. Sometimes I Feel Like A Motherless Child/Where Could I Go But To The Lord/Up Above My Head; Sometimes I Feel Like A Motherless Child\ Where Could I Go But To The Lord\ Up Above My Head (501 Completed take. Declared a good rehearsal.) 110. Sometimes I Feel Like A Motherless Child/Where Could I Go But To The Lord/Up Above My Head; Sometimes I Feel Like A Motherless Child\ Where Could I Go But To The Lord\ Up Above My Head (502 Incomplete take. Dance solo problem.) 111. Sometimes I Feel Like A Motherless Child/Where Could I Go But To The Lord/Up Above My Head; Sometimes I Feel Like A Motherless Child\ Where Could I Go But To The Lord\ Up Above My Head (503 Completed take.) 112. Sometimes I Feel Like A Motherless Child/Where Could I Go But To The Lord/Up Above My Head; Sometimes I Feel Like A Motherless Child\ Where Could I Go But To The Lord\ Up Above My Head (504 Incomplete take. Dance solo problem.) 113. Sometimes I Feel Like A Motherless Child/Where Could I Go But To The Lord/Up Above My Head; Sometimes I Feel Like A Motherless Child\ Where Could I Go But To The Lord\ Up Above My Head (505 Incomplete take. Elvis misstep on the stairs.) 114. Sometimes I Feel Like A Motherless Child/Where Could I Go But To The Lord/Up Above My Head; Sometimes I Feel Like A Motherless Child\ Where Could I Go But To The Lord\ Up Above My Head (506 Completed take.) 115. Up Above My Head/Saved; Up Above My Head\ Saved (507 Incomplete take.) 116. Up Above My Head/Saved; Up Above My Head\ Saved (508 Incomplete take.) 117. Up Above My Head/Saved; Up Above My Head\ Saved (509 Completed take. Elvis flings tambourine to sky.) 118. Up Above My Head/Saved; Up Above My Head\ Saved (510 Completed take. Elvis wants another one.) 119. Up Above My Head/Saved; Up Above My Head\ Saved (511 Completed take. Elvis gives "outta here" thumb.) 120. Up Above My Head/Saved; Up Above My Head\ Saved (512 Completed take. Waiting for Darlene.) 121. Saved (513 Incomplete take. Problem with dancers' cue.) 122. Saved (514 Incomplete take.) 123. Saved (515 Completed take. Elvis missed his 'ho-ho, yeah.') 124. Saved (516 Completed take.) 125. Saved (517 Completed take. You got it!) 126. Saved (518 Erroneous 518 slate. 601 called but not slated. Cast chatter.) 127. Saved (602 Incomplete take. Elvis can't hear the playback.) 128. Saved (604 Completed take.) 129. Big Boss Man (101 Incomplete take. Match doesn't go out.) 130. Big Boss Man (102 Incomplete take.) 131. Big Boss Man (103 Completed take. Guitar doesn't break.) 132. Big Boss Man (104 Completed take.) 133. Big Boss Man (105 Incomplete take. Guitar strap comes undone.) 134. Big Boss Man (106 Incomplete take. Elvis cracks up.) 135. Big Boss Man (107 Completed take. Guitar doesn't break.) 136. Big Boss Man (108 Completed take.) 137. Big Boss Man (109 Completed take. Guitar doesn't quite break.) 138. Big Boss Man (110 Completed take.) 139. It Hurts Me (111 Incomplete take.) 140. It Hurts Me (112 Incomplete take. Elvis splits his pants.) 141. It Hurts Me (113 Completed take.) 142. It Hurts Me (114 Completed take.) 143. It Hurts Me (115 Completed take.) 144. It Hurts Me (116 Incomplete take. Bottle doesn't break.) 145. It Hurts Me (117 Incomplete take.) 146. It Hurts Me (118 Incomplete take. Did I anticipate?) 147. It Hurts Me (119 Incomplete take. Somebody's gonna have sore arms tomorrow.) 148. It Hurts Me (120 Completed take.) 149. It Hurts Me (121 Incomplete take. I don't know upstage from downstage.) 150. It Hurts Me (122 Incomplete take. ". . . Too blind to see" is where you walk in, Elvis.) 151. It Hurts Me (123 Incomplete take.) 152. It Hurts Me (126 Completed take.) 153. Let Yourself Go (605 False start. 601 slate label corrected. Gospel label not.) 154. Let Yourself Go (606 Completed take.) 155. Let Yourself Go (607 Completed take.) 156. Let Yourself Go (608 Incomplete take. Gospel label on slate corrected.) 157. Let Yourself Go (609 Completed take.) 158. Let Yourself Go (610 Completed take.) 159. Let Yourself Go (611 False start.) 160. Let Yourself Go (612 Nearly completed take.) 161. Let Yourself Go (613 Nearly completed take. Not to mention Bones Howe.) 162. Let Yourself Go (614 Completed take. Did I miss the lip-synch on the very last line?) 163. Let Yourself Go (615 Completed take.) 164. Let Yourself Go (616 Completed take.) 165. Let Yourself Go (617 Completed take.) 166. Bordello - Insert Shots (619 Grapes (No 618 slate) Put your warm, red grapes on mine.) 167. Bordello - Insert Shots (620 Palms together. Andy Williams sings "Downtown") 168. Bordello - Insert Shots (621 Dip) 169. Bordello - Insert Shots; I Get A Kick Out Of You\ Blues In The Night\ I Enjoy Being A Girl\ My Man\ I'm Gonna Wash That Man Right Out Of My Hair (Spooning. Phyllis Diller medley.) 170. Bordello - Insert Shots (623 Ladies dance with chairs.) 171. Bordello - Insert Shots (624 Ladies dance with chairs.) 172. Bordello - Insert Shots (625 Ladies dance with chairs.) 173. Bordello - Insert Shots (626 Ladies dance.) 174. Bordello - Insert Shots (627 Ladies dance.) 175. Bordello - Insert Shots (628 Ladies dance.) 176. Bordello - Insert Shots (629 Ladies dance.) 177. Bordello - Insert Shots (631 Ladies lounge about.) 178. Nothingville (901 No take. Elvis wants to walk this through.) 179. Nothingville (902 Completed take.) 180. Nothingville (903 Completed take.) 181. Guitar Man (904 Completed take.) 182. Guitar Man (905 Completed take.) 183. Guitar Man (907 Completed take. Plus tax. Wanna do another one, Steve?) 184. Guitar Man (908 False start.) 185. Guitar Man (909 Incomplete take. Swingin' little mother grabber.) 186. Guitar Man (910 Completed take.) 187. Guitar Man (911 Completed take.) 188. Guitar Man (1001 Completed take. My boy, my boy.) 189. Guitar Man (1002 Completed take. My boy, my boy.) 190. Guitar Man (1003 Incomplete take. Guitar strap comes undone.) 191. Guitar Man (1004 False start.) 192. Guitar Man (1005 Completed take. My girl, my girl.) 193. Guitar Man (1006 Completed take. My girl, my girl.) 194. Little Egypt/Trouble; Little Egypt\ Trouble (1007 Incomplete take. Watch that cobra. Growl and grin.) 195. Little Egypt/Trouble; Little Egypt\ Trouble (1008 No take. Topless lady band/LBJ imitation/Tinkling of Tanya/My belly, my belly.) 196. Little Egypt/Trouble; Little Egypt\ Trouble (1009 Completed take. Another one for myself.) 197. Little Egypt/Trouble; Little Egypt\ Trouble (1010 Completed take.) 198. Trouble (1011 Incomplete take. Sh--.) 199. Trouble (1012 Completed take. To spend one night witchoo.) 200. Trouble (1013 Completed take. I sho hope I got a little voice left.) 201. Trouble (1014 Incomplete take. Elvis eyeballs the mike and cracks up.) 202. Trouble (1015 Completed take. More laughter.)

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Thursday, December 15, 2011

Let Us All Unite!

This is Charlie Chaplin's speech from The Great Dictator edited with "Time" by Hans Zimmer from the Inception Soundtrack. Credit goes to [peop1e], 4Chan, and reddit for the inspiration. Venus Project City System designed by Jacque Fresco www.thevenusproject.com Anonymous can be found at http EDIT: I APOLOGIZE IF THERE ARE ADVERTISEMENTS ON THIS VIDEO. I AM NOT MAKING MONEY FROM THIS AND DO NOT WANT THE ADS ON IT. NOTE: Some people have offered to translate this speech into other languages for Closed Captions/Subtitles. If you'd like to translate it, you can download this SRT file: andersonenvy.com Simply download and unzip the file, and open it in any text editor. Leave the numbers alone, and only translate the English speech into your language. Then just save the file. (If you 'Save As' ensure UTF-8 Encoding is selected) Then send me an email and attach the SRT file. Here is my email address: andersonenvy@andersonenvy.com As I get translations, I'll add them to the video. So far we have: - Arabic - Armenian - Dutch - English - Esperanto - French - Finnish - German - Greek - Norwegian - Polish - Portuguese (Brazilian) - Romanian - Serbian - Slovak - Spanish (Latin America) - Swedish Thanks to everyone who offered to translate the speech. This is Chaplin's speech in English: "I'm sorry but I don't want to be an Emperor, that's not my business. I don't want to rule or conquer anyone. I should like to help everyone if possible, Jew, gentile, black man, white. We all want to ...

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Sunday, December 11, 2011

Wednesday, December 7, 2011

Dexter - Killer Music Video - by Adam Ben Ezra

With the 6th season coming up, here's my take on Dexter's opening theme (Morning Routine) and ending titles (Blood Theme) combined. As all Dexter fans, I'm waiting for season 6 and that's my way to pass time :) Enjoy! Arranged and performed by Adam Ben Ezra facebook.com Director & editor - Guy Dayan - facebook.com Cinematographer - Sergey Maydin - sergeymvideo@gmail.com Sound designer - Dan Zipori - youtube.com Assistant director - Alon Porat - lole.co.il Based on Morning Routine - by Rolfe Kent - youtube.com Blood Theme - by Daniel Licht - youtube.com Cheers! אדם בן עזרא

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Saturday, December 3, 2011

League of Legends The Movie Trailer EXTENDED (FANMADE)

Send your replays to bx1337productions@hotmail.com for a lol compilation i'm making specifying when the Action starts and when the action ends. Example: Action Start Time (hh:mm:ss): 23:22:03 Action End Time: (hh:mm:ss) 23:22:48 READ THE DESCRIPTION TO SEE THE LIST OF THE CHAMPS!!!!!!!!!!!! Hey guys I took the idea from LidLOL and decided to create a league of legends movie with more champs. So here it is 0:13 Taric 0:14 and 0:37 nunu 0:17 Warwick 0:24 Alistar 0:27 Pantheon 0:31 Fiddlesticks 0:45 Twisted fate 0:50 Shen 0:59 Cassiopeia 1:00 Shaco 1:05 Brand 1:12 Jarvan IV 1:42 Gangplank 1:54 Mordekaiser 1:57 Nosferatu Vladimir 1:58 Orianna (male version, couldn't find female) Song: Zack Hemsey - Mind Heist All the credits to LidLoL for the fantastic idea to make a LoL movie Champs featured: Twisted Fate, Taric, Orianna (male), Mordekaiser, Nosferatu Vladimir, Xin Zhao, Warwick, Alistar, Nunu, Brand, Pantheon, Gangplank, Cassiopeia, Fiddlesticks, Shaco

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Thursday, December 1, 2011

Copywriting Secrets of a Blue, Naked Super Hero

!±8± Copywriting Secrets of a Blue, Naked Super Hero

One of the most powerful copywriting secrets you can ever use is found in the movie "Watchmen."

Specifically, the scenes with the character Dr. Manhattan -- a blue, bald naked guy who the ladies find quite studly.

He's the only "hero" in this super hero movie with actual "super powers": The ability to manipulate matter at the atomic and subatomic level.

(Which is "geek-ese" for he can do whatever he wants.)

He can make stuff out of nothing, teleport, reduce a person to ashes with a mere thought, hang out on Mars, change his size, turn wood into glass, and even make duplicate versions of himself.

(You'll have to see the movie for WHY he would do that...)

You want to know what else?

He is also a walking copywriting METAPHOR.

I kid you not, either.

Think about it:

What is your job as a copywriter if not to give yourself (if even temporarily) unlimited powers to do whatever you want for your prospects?

To grant their every wish.

Fulfill their every dream.

And (to paraphrase the late copywriter Eugene Schwartz) become, "The scriptwriter for your prospect's fantasies"?

You know, it sounds weird, but often the best ads are written BEFORE the product is made for this exact reason.

In fact, the last ad I wrote was like this.

We had no product, just a market and a list of what that market desperately wants and needs right now.

So I simply created the product as I was writing the ad.

Taking everything we knew about the market and creating the ultimate "super product" in my head.

My point?

Whether you have the product or not... it's your job as the copywriter to figure out everything your prospect wants, and create a fantasy in their brains as to how your product can grant all those wonderful miracles.

It's the heart and soul of money-making copy.

Frankly, you're not just "writing."

You're like the "Doctor Manhattan" of their lives -- giving them anything their little hearts desire.

All of which makes selling in print a piece of cake.

As well as a whole lot of fun.


Copywriting Secrets of a Blue, Naked Super Hero

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Monday, November 28, 2011

Alfred Hitchcock - The Masterpiece Collection

!±8± Alfred Hitchcock - The Masterpiece Collection

Brand : Universal Studios | Rate : | Price : $57.99
Post Date : Nov 28, 2011 10:43:01 | Usually ships in 24 hours


14 of the finest works from the universally acclaimed Master of Suspense come together for the first time in one collection. These captivating landmark films boast three decades of Hollywood legends, including James Stewart, Grace Kelly, Anthony Perkins, Sean Connery and Doris Day. The premium packaging and collectible book make Alfred Hitchcock: The Masterpiece Collection the must-own, definitive anthology of gripping works by a true genius.

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Friday, November 25, 2011

The Losers - These Characters Seem Pretty Cool, Why Are They Losers?

!±8± The Losers - These Characters Seem Pretty Cool, Why Are They Losers?

When I hear of a title like The Losers, I naturally imagine a plot along the lines of a group of high school misfits who, after four years of bullying and oppression, finally decide to take a stand against the jocks and cheerleaders who ridiculed them during their adolescence.

A plot that I don't think of, however, is an elite Special Forces team of beautiful, muscular CIA agents who, after being betrayed and left for dead by a corrupt member of the United States government, seek some justified vengeance by kicking a lot of ass and blowing all kinds of stuff up. Doesn't really sound like a bunch of "losers" to me. Actually seems pretty cool.

Regardless of my misconceptions towards the title, The Losers is in fact the name chosen for the upcoming film from Dark Castle Entertainment and Warner Bros. The film adaptation could be described best as a movie based on a comic book that was based on a comic book.

The original comic of the same name was published in 1970 by DC Comics and told the story of Captain Johnny Cloud and his contribution to an American Special Forces group in Europe during World War II. The story was then updated and re-imagined by Vertigo Comics (an imprint of DC) in 2003 and remained only slightly faithful to the original by substituting the All-American soldiers with badass CIA agents and instituting the revenge theme.

And now, because Hollywood made a rule that all successful to mildly-successful comic book franchises must be turned into a movie, The Losers makes its way to the big screen. The man calling the shots on the film was director Sylvain White, a relative new comer to the industry whose previous directorial efforts include Stomp the Yard and the forgetful I'll Always Know What You Did Last Summer.

The choice of White to direct had many fans of the source material worried because of his lack of experience with the genre, or any genre for that matter. Luckily, the positive buzz that has been garnered from early reviews and trailer reception has for the most part silenced the critics. The script White had to work with came courteous of writer/director/actor Peter Berg whose previous writing credits include Friday Night Lights and Very Bad Things.

In my opinion, what will make or break this film is the chemistry of the cast, which is headed by Jeffery Dean Morgan, an actor who has transitioned from dreamy Grey's Anatomy hunk to comic book action star flawlessly. His portrayal of The Comedian in last year's Watchmen was one of the main highlights of the film.

Portraying the rest of The Losers is Chris Evans (Fantastic Four, Push), Idris Elba (Obsessed), Columbus Short (Armored), Oscar Jaenada and the ridiculously hot Zoe Saldana, whose resume is rapidly becoming very impressive. She starred as Captain Uhura in the reboot of Star Trek and used performance capture to play Neytiri in the mega-blockbuster that is Avatar. Jason Patric (Narc, Sleepers) rounds up the cast as Max, the corrupt government insider hell bent on killing The Losers.

It is interesting enough to note that The Losers was created with a PG-13 rating in mind, something that all parties were a part of in hopes of acquiring a younger, wider audience. The MPAA did in fact slap it with a PG-13 making it the first Vertigo Comics adaptation and film produced by Dark Castle Entertainment not be rated R. How this pans out is yet to be determined.

Something is still bothering me though. The Losers comic book from 1970 clearly defined why the characters called themselves "The Losers." Because each member of the Special Forces team was a commanding officer who all lost men under them to casualties and felt personally responsible, the deemed themselves "The Losers." Pretty simple.

But I can't for the life of me figure out why the good looking, incredibly skilled characters in this film or the comic book it's based on call themselves losers. They all seem pretty cool to me. I guess I'll just have to go see the movie to figure it out. It opens nationwide on Friday, April 23.


The Losers - These Characters Seem Pretty Cool, Why Are They Losers?

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Tuesday, November 22, 2011

Marc Jacobs & Louis Vuitton (Full Sub)

!±8±Marc Jacobs & Louis Vuitton (Full Sub)

Brand : Marc Jacobs
Rate :
Price :
Post Date : Nov 22, 2011 19:01:43
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From Japan to America, the LV sign dominates the fashion scene. And, one man alone designs the Louis Vuitton creations the exceptional Marc Jacobs.
With unprecedented access to one of the world's hottest and busiest designers, Loïc Prigent offers an intimate and revealing portrait of the reclusive Marc Jacobs and the world of haute couture. Whether in the offices and workrooms of Paris and New York, the back of his car, or backstage at a fashion show, we see a genius at work. Jacobs endures unimaginable pressure to chart new paths in fashion as he straddles the demands of the Louis Vuitton conglomerate and his own Marc Jacobs label.

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Saturday, November 19, 2011

PUSH Movie Review - Hey, They Forgot to Film the Last 10 Pages of the Script!

!±8± PUSH Movie Review - Hey, They Forgot to Film the Last 10 Pages of the Script!

I still stand by the assessment that I made before that this film looks suspiciously like NBC's Heroes. In any case, for those that stay true to the current unbridled mess that is Heroes, I've spent the cash for you so you can maintain your integrity and not pay for Push if you don't want to. Either unfortunately or fortunately, depending on your point of view, Push is generally better than what NBC is dishing up on Monday nights recently.

Let me get my final word on this Push/Heroes thing out of the way first. Do I think that there was some "borrowing" of intellectual property here? I can't deny that at least in concept, there are definitely some similarities that are hard to swallow as chance. As I stated in the previous article, I don't know who "borrowed" from who or what the intentions were, but it's definitely trying to create the same universe. To take it further, the plot of Push is pretty much directly the "plot" of the first half of season 3 of Heroes (which I'll get into in the rest of the review). In Push's defense, the execution, tone, and "genre" of this film is a different animal than Heroes. This is pretty much an action film with some paranormal dressings. So, no more tirades on intellectual thievery from me on this topic, though in fairness I may call upon Heroes later in the review for sheer comparison purposes.

I would also like to point out at that so far, Tim Kring and NBC don't seem to have any hard feelings here since Push is advertising in Heroes now and SURPRISE, there was an NBC ad with Heroes clips playing before the film started in the theater. I think that there is no question that Push was counting on pulling in fans of Heroes.

And now the feature presentation. Push is about Nick Gant, a somewhat hapless guy with underdeveloped telekinetic powers that gets embroiled in a plot by Division, an arm of the US government trying to use the segment of the population with special "abilities" as super-soldiers: yes, like in a quickly developed and forgotten subplot in season 3 of Heroes. Division has been developing a serum meant to enhance and amplify the "abilities" of these people that have them, not to be confused with the serum from Heroes that gives abilities to people without them.

Division has apparently been around since sometime after World War 2, but the destruction of the one and only seemingly viable version of this serum is apparently the one thing that will "bring Division down." Not sure the logic here because Division has been doing just fine without a viable version of this serum for years. Also, the focus of all this seems to be recovering the one syringe filled with this serum. It's a little strange that the guys that developed the serum would have no record of the formula used for it or any idea how to recreate it.

Division seems to work with a large base of "Seers," "Sniffers" and "Pushers." Seers are people that can see the future, Sniffers are people that have a highly developed sense of smell, and Pushers are people that have the uncanny ability to push thoughts into other people's heads.

So, in the midst of a lot of weirdness, illogic and craziness we get it into several action hijinx scenes, and the action isn't horrible. It's actually done fairly well. Probably the high points of the film are Dakota Fanning and Chris Evans who play the "heroes" of the story. They manage to produce a couple of rather entertaining performances in this hit and miss mishmash of a movie. They did manage to ground things just enough that the most outrageous of the logic problems of the plot really didn't start to hit home until it was almost over. Part of the problem our heroes have is that everything that they are going to do can be seen by Division's seers who always know the future. In order to subvert the seers ability to see their next move, they concoct a rather clever plot to outsmart them which is the crux of the final act of Push.

This leads to one of the big cop outs with Push. They utilize a cheesy way of ending several of the movies big action set pieces. You see, since Division's seers are so good at telling the future, whenever our main posse is cornered into a seemingly hopeless situation, Division simply lets them go because the "seers" didn't see our main characters dying in that manner and they are afraid of changing the future that they see coming out in their favor. So we have several scenes where everything is painted into corner with disappearing paint, so to speak. Cheap.

So what the hell is Push at it's heart? It's a one hour and 52-minute tease wrapped in an action film. The film actually has some fun in getting to where it's going. Unfortunately, where it goes is virtually nowhere. The movie doesn't end. Sometimes, when you walk out of a movie you say to yourself "man, they obviously set that up for a sequel." In the case of Push, you can't really say that because the movie doesn't end. It literally stops before the story is finished. It's not just set up for a sequel, it would require one to finish the story. The damned thing stops talking in mid-sentence. In my professional opinion, that's a cheap assed thing to do someone that paid full price admission for a ticket. The Empire Strikes Back had more story resolution than Push.

So, I have some logical beefs with Push along with the fact that it's a completely unresolved story. Yes, there is some minor resolution to the immediate danger the main characters are in as the credits roll, but they are still pretty much dead center in the middle of resolving the story as it's laid out. Hence, the whole movie comes off as a nearly 2-hour advertisement for the sequel that we will never see if this sucker bombs at the box office.

So what's my final judgment on this? The story has some plot holes that are pretty striking. The only real motivation for the main characters is kind of wrapped up in a plot that never gets resolved. The climax of the film really doesn't make a whole lot of sense, though it is done rather well from an action standpoint. There's a lot of shooting, screaming and running. The film's kind of a hot mess but not without some fun. Not sure I can recommend it much beyond that though. It's probably a nice Saturday Noon Afternoon Matinee diversion. I'd say save the cash you'd spend on a ticket for this and spend it on a large popcorn and drink at the premier of Watchmen next month.

It's actually a sad statement for Push that it was as much fun as it was for all the problems. It simply tells me that the script was a small amount of effort away from being a pretty damned solid film if they had just tried a bit harder. I didn't hate Push, but I did hate the sloppy story-telling and lack of an "end" to the story.


PUSH Movie Review - Hey, They Forgot to Film the Last 10 Pages of the Script!

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Monday, November 14, 2011

Gay Cowboys: Do Women Like to Watch Men Have Sex?

!±8± Gay Cowboys: Do Women Like to Watch Men Have Sex?

Several weeks ago, I went out to dinner with a female friend. During dinner I asked her if she had seen Brokeback Mountain yet. She said, "No, I have no desire to see two men kissing all over each other." I asked her if she would be willing to do me a favor and see the movie anyway. I told her I had a theory and I wanted to see if I was right about something, so she agreed. We met for lunch after she went to see the movie. I asked her what she thought - it turns out that she loved it. I asked her if she was turned off or disgusted by any of the sexual scenes; she said, "No, surprisingly enough, I wasn't turned off by them at all." I decided to take it a step further. I asked her if she was turned on by any of the scenes in the movie. Her face turned red and she said, "I have no idea why, but yes, I was turned on by them." This isn't the first time I've heard a woman say that after having seen the movie. I think I know why women are finding the sexual scenes in Brokeback Mountain so arousing, but before I explain, let me digress just a little.

During an interview a radio talk show host brought up the fact that females aren't as visual as males. She said that was the reason there aren't nearly as many male strip clubs as there are female strip clubs. As I discussed in Women's Infidelity, the word "more" creates a lot of confusion between the sexes. Whenever it has been determined that one sex is "more" of anything, we fail to remember that the other sex still has that trait, only to a lesser degree. For example, males have more hair than females, but that doesn't mean that females don't have hair. Males like more sexual variety than females, but that doesn't mean females don't like sexual variety. Likewise, males may be more visual than females, but that in no way means that females aren't visual. Having said that, I would like to address not only how women feel about watching men have sex, but also how women feel about male strip clubs as well as male prostitution.

Heterosexual females are attracted to masculinity. Women don't get turned on by watching men act like women. So, going to a strip club and watching men dance around in what can best be described as bikini panties is not a turn on for most females. If you want women to pay to see men, then build a bar with a glass front on a construction site and you'll make a fortune. The female animal likes to watch physically fit men work. If men want to get women's attention, all they have to do is take off their shirts and lift something heavy or pick up a shovel and start digging a hole. Trust me, men would receive the same kind of attention that they normally give to partially exposed, pushed-up breasts.

This explains my friend's arousal during the sexual scenes in Brokeback Mountain - the sexual scenes were extremely masculine. The men weren't caressing and cuddling with each other; the love scenes were very passionate and aggressive. Passion and aggression are what arouse the female animal.

Now, on to the issue of male prostitution, someone just recently asked me, "If women like sex as much as men, why aren't there more male prostitutes running around?" Well, I can think of several reasons. First of all, until recently, women didn't have any money, so obviously paying for sex wasn't an option. Likewise, females experiencing pleasure from sex is also something that is relatively new. Prior to 60-65 years ago sex was only thought of as pleasurable for males; therefore was no information available about how to please women sexually. Plus, when females did experience sexual pleasure they were encouraged to hide their pleasure from their partners in order to make the men feel more secure. However, those reasons aside, there's still the undeniable fact that a male has a hard time pleasing just one female, while a female has the ability to please many males...although now, Viagra may help to alleviate this problem. (For further explanation see Women's Infidelity, Chapter 6: Why Women Find Affair Sex Particularly Appealing.)

Therefore, in the past, circumstances were such that male prostitution couldn't even be a plausible fantasy, much less a reality. Men like porn because it is made to appeal to their desires and fantasies. Now that women have economic freedom for the first time in history, they are able to voice their desires - more and more it's becoming clear that who they are and what they desire is quite different from who they were forced to be in the past.


Gay Cowboys: Do Women Like to Watch Men Have Sex?

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Monday, November 7, 2011

After Dark Horrorfest, Vol. 4 (Dread / The Final / The Graves / The Hidden / Kill Theory / Lake Mungo / The Reeds / Zombies of Mass Destruction)

!±8± After Dark Horrorfest, Vol. 4 (Dread / The Final / The Graves / The Hidden / Kill Theory / Lake Mungo / The Reeds / Zombies of Mass Destruction)

Brand : Lions Gate | Rate : | Price : $66.99
Post Date : Nov 07, 2011 02:48:05 | Usually ships in 24 hours

All 8 films of the 4th installment of After Dark Horrorfest in one gift set. Films include Dread, The Final, The Graves, Hidden, Kill Theory, Lake Mungo, The Reeds, and Zombies of Mass Destruction.

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